Explain succinctly how the musical language of the Concerto essays

Explain succinctly how the musical language of the Concerto essays Bartk was born in Hungary in 1881. He was a student of Liszt and Wagner, and influenced by Brahms. He became interested in Folk music during his younger years, and set out on a long expedition of collecting folk songs from the sub cultures of many countries. He did this so he could understand the music and how it arose and how it is transmitted. Modern Hungarian folk music research can be said to have commenced when Kodaly and Bartk set out on their first collecting trips in 1905 and 1906 respectively. From the outset they worked concertedly and systematically. They made a geographical division between them of the territories to cover. Bartk soon noticed that songs usually known as folk songs werent infact true folk, and that much more genuine folk music could be found among the peasantry. He began collecting folk music around 1905 and his collection expanded out to Eastern Europe. Bartk wanted to create modern music that equalled the modern west, so that this were better attitude could be overcome. The Concerto for Orchestra was completed in the autumn of 1943 and has a total of five movements indicating Bartks like of symmetry. The first and forth movements contain specific passages that are very prominent of folk tunes. Both the Harmonic and Melodic elements of the concerto represent a distillation of Bartks maturest style; the tendency to-ward more strongly affirmed tonality, lucid textures, plastic rhythms, is here intensified. But at the same time earlier characteristics become prominent. The parlando rubato of the introductory section as well as the intervallic structure of its melodies is firmly rooted in Hungarian Peasant music. In the opening movement, Bartk begins with a melody theme played by the cellos and basses. This begins at bar 1, ends at bar 6, and is repeated many ti ...